Filtros : "Brazilian art research yearbook" Limpar

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  • Source: Brazilian art research yearbook. Unidade: ECA

    Subjects: ARTES, ARTES, LITERATURA

    How to cite
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    • ABNT

      CHIARELLI, Tadeu. The Jeca versus Picasso & cia: nationalism as modernity in Monteiro Lobato's art criticism. Brazilian art research yearbook, São Paulo, v. 1, p. 11-16, 1992.
    • APA

      Chiarelli, T. (1992). The Jeca versus Picasso & cia: nationalism as modernity in Monteiro Lobato's art criticism. Brazilian art research yearbook, 1, 11-16.
    • NLM

      Chiarelli T. The Jeca versus Picasso & cia: nationalism as modernity in Monteiro Lobato's art criticism. Brazilian art research yearbook. 1992 ; 1 11-16.
    • Vancouver

      Chiarelli T. The Jeca versus Picasso & cia: nationalism as modernity in Monteiro Lobato's art criticism. Brazilian art research yearbook. 1992 ; 1 11-16.
  • Source: Brazilian art research yearbook. Unidade: ECA

    Assunto: SEMIOLOGIA DA PROPAGANDA

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    • ABNT

      MATUCK, Artur. Argument for semion: a symbol for released information. Brazilian art research yearbook, São Paulo, v. 1, p. 7-10, 1992.
    • APA

      Matuck, A. (1992). Argument for semion: a symbol for released information. Brazilian art research yearbook, 1, 7-10.
    • NLM

      Matuck A. Argument for semion: a symbol for released information. Brazilian art research yearbook. 1992 ; 1 7-10.
    • Vancouver

      Matuck A. Argument for semion: a symbol for released information. Brazilian art research yearbook. 1992 ; 1 7-10.
  • Source: Brazilian art research yearbook. Unidade: ECA

    Assunto: ARTES

    How to cite
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    • ABNT

      SILVEIRA, Regina. Silhouettes, viewpoints and distortions. Brazilian art research yearbook, São Paulo, v. 1, p. 44-60, 1992.
    • APA

      Silveira, R. (1992). Silhouettes, viewpoints and distortions. Brazilian art research yearbook, 1, 44-60.
    • NLM

      Silveira R. Silhouettes, viewpoints and distortions. Brazilian art research yearbook. 1992 ; 1 44-60.
    • Vancouver

      Silveira R. Silhouettes, viewpoints and distortions. Brazilian art research yearbook. 1992 ; 1 44-60.
  • Source: Brazilian art research yearbook. Unidade: ECA

    Subjects: ARTES, MODERNISMO

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    • ABNT

      FABRIS, Annateresa. Scenery and the working space: representatios of modernity in the brazilian cultural production (1900-1922). Brazilian art research yearbook, São Paulo, v. 1, p. 28-36, 1992.
    • APA

      Fabris, A. (1992). Scenery and the working space: representatios of modernity in the brazilian cultural production (1900-1922). Brazilian art research yearbook, 1, 28-36.
    • NLM

      Fabris A. Scenery and the working space: representatios of modernity in the brazilian cultural production (1900-1922). Brazilian art research yearbook. 1992 ; 1 28-36.
    • Vancouver

      Fabris A. Scenery and the working space: representatios of modernity in the brazilian cultural production (1900-1922). Brazilian art research yearbook. 1992 ; 1 28-36.
  • Source: Brazilian art research yearbook. Unidade: ECA

    Subjects: MÚSICA, MÚSICA INSTRUMENTAL

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    • ABNT

      MARTINS, José Eduardo. La boîte à joujoux de Claude Debussy et la diversification analytique. Brazilian art research yearbook, São Paulo, v. 1, p. 65-85, 1992.
    • APA

      Martins, J. E. (1992). La boîte à joujoux de Claude Debussy et la diversification analytique. Brazilian art research yearbook, 1, 65-85.
    • NLM

      Martins JE. La boîte à joujoux de Claude Debussy et la diversification analytique. Brazilian art research yearbook. 1992 ; 1 65-85.
    • Vancouver

      Martins JE. La boîte à joujoux de Claude Debussy et la diversification analytique. Brazilian art research yearbook. 1992 ; 1 65-85.
  • Source: Brazilian art research yearbook. Unidade: ECA

    Assunto: CINEMA

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    • ABNT

      MOURÃO, Maria Dora G. Time in the film or the time of the film. Brazilian art research yearbook, São Paulo, v. 1, p. 61-64, 1992.
    • APA

      Mourão, M. D. G. (1992). Time in the film or the time of the film. Brazilian art research yearbook, 1, 61-64.
    • NLM

      Mourão MDG. Time in the film or the time of the film. Brazilian art research yearbook. 1992 ; 1 61-64.
    • Vancouver

      Mourão MDG. Time in the film or the time of the film. Brazilian art research yearbook. 1992 ; 1 61-64.
  • Source: Brazilian art research yearbook. Unidade: ECA

    Assunto: ARTES

    How to cite
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    • ABNT

      AMARAL, Ana Maria de Abreu. Sensorial and mystic approach to animated objects. Brazilian art research yearbook, São Paulo, v. 1, p. 37-43, 1992.
    • APA

      Amaral, A. M. de A. (1992). Sensorial and mystic approach to animated objects. Brazilian art research yearbook, 1, 37-43.
    • NLM

      Amaral AM de A. Sensorial and mystic approach to animated objects. Brazilian art research yearbook. 1992 ; 1 37-43.
    • Vancouver

      Amaral AM de A. Sensorial and mystic approach to animated objects. Brazilian art research yearbook. 1992 ; 1 37-43.
  • Source: Brazilian art research yearbook. Unidade: ECA

    Assunto: CINEMA

    How to cite
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    • ABNT

      PEÑUELA CAÑIZAL, Eduardo. Cine, pintura e informacion. Brazilian art research yearbook, São Paulo, v. 1, p. 86-93, 1992.
    • APA

      Peñuela Cañizal, E. (1992). Cine, pintura e informacion. Brazilian art research yearbook, 1, 86-93.
    • NLM

      Peñuela Cañizal E. Cine, pintura e informacion. Brazilian art research yearbook. 1992 ; 1 86-93.
    • Vancouver

      Peñuela Cañizal E. Cine, pintura e informacion. Brazilian art research yearbook. 1992 ; 1 86-93.

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