Martins, André Lopes 
; Costa, Rogério Luiz Moraes
Source: Musica Theorica. Unidade: ECA
Subjects: MÚSICA, ANÁLISE MUSICAL, POESIA CONCRETA, INTERTEXTUALIDADE
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MARTINS, André Lopes e COSTA, Rogério Luiz Moraes. From concrete poetry to musical composition: narrativity, intertextuality and musical meaning in motet em ré menor, by Gilberto Mendes. Musica Theorica, v. 2, n. 1, p. 112-130, 2017Tradução . . Disponível em: https://www.eca.usp.br/acervo/producao-academica/002998720.pdf. Acesso em: 04 out. 2024.APA
Martins, A. L., & Costa, R. L. M. (2017). From concrete poetry to musical composition: narrativity, intertextuality and musical meaning in motet em ré menor, by Gilberto Mendes. Musica Theorica, 2( 1), 112-130. Recuperado de https://www.eca.usp.br/acervo/producao-academica/002998720.pdfNLM
Martins AL, Costa RLM. From concrete poetry to musical composition: narrativity, intertextuality and musical meaning in motet em ré menor, by Gilberto Mendes [Internet]. Musica Theorica. 2017 ; 2( 1): 112-130.[citado 2024 out. 04 ] Available from: https://www.eca.usp.br/acervo/producao-academica/002998720.pdfVancouver
Martins AL, Costa RLM. From concrete poetry to musical composition: narrativity, intertextuality and musical meaning in motet em ré menor, by Gilberto Mendes [Internet]. Musica Theorica. 2017 ; 2( 1): 112-130.[citado 2024 out. 04 ] Available from: https://www.eca.usp.br/acervo/producao-academica/002998720.pdf
