Approaching Stanislavski’s work at the Opera-Dramatic Studio: part 1 (2020)
- Autor:
- Autor USP: MOSCHKOVICH, DIEGO FERNANDES GARCIA - ECA
- Unidade: ECA
- DOI: 10.1080/20567790.2020.1758446
- Subjects: HISTÓRIA DO TEATRO; TEATRO; TÉCNICA TEATRAL
- Keywords: Theatre history; Opera-Dramatic Studio; Physical actions; Training
- Agências de fomento:
- Language: Inglês
- Abstract: This is the first of a series of two articles written as an investigation of the Opera-Dramatic Studio (1935–1938) unpublished files, held at the Moscow Art Theatre Museum, between November 2017 and February 2018. In it, I try to present an analysis of some new aspects of Stanislavski’s preparation of the Studio’s faculty and his practice with the pupils. After a short introduction to the research, I present, in this firt part, the period of the faculty’s preparation (Jun-Oct 1935). Subsequently, in the second part, I will present the training work conducted with the pupils (Nov-Dec 1935), and an analysis of three aspects of Stanislavski’s practice during his last years: the étude, the physical actions and the subconscious moment. These, as I argue functioned as a triple basic-training structure used in the preparation for the future work on the play and the role. To finish, I present a short conclusion on the analysed material
- Imprenta:
- Publisher place: [Abingdon]
- Date published: 2020
- Source:
- Título: Stanislavski Studies
- ISSN: 2056-7790
- Volume/Número/Paginação/Ano: v. 8, n. 2, p. 223-236, nov. 2020
- Status:
- Artigo possui versão em acesso aberto em repositório (Green Open Access)
- Versão do Documento:
- Versão submetida (Pré-print)
-
ABNT
MOSCHKOVICH, Diego. Approaching Stanislavski’s work at the Opera-Dramatic Studio: part 1. Stanislavski Studies, v. no 2020, n. 2, p. 223-236, 2020Tradução . . Disponível em: https://doi.org/10.1080/20567790.2020.1758446. Acesso em: 16 abr. 2026. -
APA
Moschkovich, D. (2020). Approaching Stanislavski’s work at the Opera-Dramatic Studio: part 1. Stanislavski Studies, no 2020( 2), 223-236. doi:10.1080/20567790.2020.1758446 -
NLM
Moschkovich D. Approaching Stanislavski’s work at the Opera-Dramatic Studio: part 1 [Internet]. Stanislavski Studies. 2020 ; no 2020( 2): 223-236.[citado 2026 abr. 16 ] Available from: https://doi.org/10.1080/20567790.2020.1758446 -
Vancouver
Moschkovich D. Approaching Stanislavski’s work at the Opera-Dramatic Studio: part 1 [Internet]. Stanislavski Studies. 2020 ; no 2020( 2): 223-236.[citado 2026 abr. 16 ] Available from: https://doi.org/10.1080/20567790.2020.1758446 - ‘Everything now is lost’: Stanislavsky’s last class at the Opera-Dramatic Studio
- O último Stanislávski em ação: tradução e análise das experiências do Estúdio de Ópera e Arte Dramática (1935 - 1938)
- Approaching Stanislavski’s work at the Opera-Dramatic Studio: part 2
- Para um teatro de paredes móveis: a última e inacabada revolução de Stanislávski
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