Sounds, memories and affects: double capture in a relational artistic experience (2020)
- Authors:
- USP affiliated authors: COSTA, ROGÉRIO LUIZ MORAES - ECA ; BONAFÉ, VALERIA MUELAS - ECA
- Unidade: ECA
- DOI: 10.25038/am.v0i23.394
- Subjects: COMPOSIÇÃO MUSICAL; IMPROVISAÇÃO (MÚSICA); CRIAÇÃO ARTÍSTICA; CRIAÇÃO COLETIVA
- Language: Inglês
- Abstract: This article presents and discusses the nos{entre}nós project, which stems from an artistic collaboration between the authors, composer Valéria Bonafé and improviser and saxophonist Rogério Costa. The project is nurtured by the differences between both artists and proposes a particular manner of assemblage (agencement) set on privileging a consistent collaborative practice. The philosophical work of Gilles Deleuze, Félix Guattari and Brian Massumi is used to analyze this relational practice, with special attention given to concepts like zone of indiscernibility, disjunctive synthesis and double capture. The article also deals specifically with the creative processes involved in producing the first artistic work of this collaborative project, Schwarzwälder Kirschtorte. At stake is the memory space appearing as a field of sensible experience, capable of triggering the surging of affects and the energies necessary for creative assemblages, and where the loop appears as an important strategy of transduction between the poetic field and musical realization
- Imprenta:
- Source:
- Título: AM Journal of Art and Media Studies
- ISSN: 2406-1654
- Volume/Número/Paginação/Ano: n. 23, p. 13-27, 2020
- Este periódico é de acesso aberto
- Este artigo é de acesso aberto
- URL de acesso aberto
- Cor do Acesso Aberto: gold
- Licença: cc-by-nc-nd
-
ABNT
BONAFÉ, Valéria Muelas e COSTA, Rogério Luiz Moraes. Sounds, memories and affects: double capture in a relational artistic experience. AM Journal of Art and Media Studies, n. 23, p. 13-27, 2020Tradução . . Disponível em: https://doi.org/10.25038/am.v0i23.394. Acesso em: 29 dez. 2025. -
APA
Bonafé, V. M., & Costa, R. L. M. (2020). Sounds, memories and affects: double capture in a relational artistic experience. AM Journal of Art and Media Studies, ( 23), 13-27. doi:10.25038/am.v0i23.394 -
NLM
Bonafé VM, Costa RLM. Sounds, memories and affects: double capture in a relational artistic experience [Internet]. AM Journal of Art and Media Studies. 2020 ;( 23): 13-27.[citado 2025 dez. 29 ] Available from: https://doi.org/10.25038/am.v0i23.394 -
Vancouver
Bonafé VM, Costa RLM. Sounds, memories and affects: double capture in a relational artistic experience [Internet]. AM Journal of Art and Media Studies. 2020 ;( 23): 13-27.[citado 2025 dez. 29 ] Available from: https://doi.org/10.25038/am.v0i23.394 - Estratégias composicionais de Luciano Berio a partir de uma análise da Sonata per pianoforte (2001)
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- A propósito de deslugares sob uma perspectiva musical
- Livre improvisação e ecologia sonora: uma aproximação a partir da estética da sonoridade
- O cavalinho de pau: devir-criança e molecularização na obra de Villa-Lobos
- Autour de l'improvisation: essais
- Flows between improvisation, perception and spatiality as creative tools: report of two teaching experiments in music
- Orquestra Errante: improvising assemblages as a strategy for facing the pathologies of the colonial-capitalist regime in Brazil
- Free musical improvisation and the philosophy of Gilles Deleuze
- A diversidade a partir de diálogos com as músicas não ocidentais: relato de pesquisa concluída
Informações sobre o DOI: 10.25038/am.v0i23.394 (Fonte: oaDOI API)
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