The performance of time: (or the time of musical performance) (2019)
- Authors:
- Autor USP: MELLO FILHO, SILVIO FERRAZ - ECA
- Unidade: ECA
- DOI: 10.21476/pp.2019.42226
- Subjects: TEMPO (MÚSICA); INTERPRETAÇÃO MUSICAL; FILOSOFIA DA MÚSICA; ANÁLISE MUSICAL; VIOLONCELO
- Language: Inglês
- Abstract: In the twentieth century, time became a key-concept for music – maybe the art more dependent on time. Even so, a myriad of definitions did turn this idea not only into a rich element for musical discourse but also into a conceptual battlefield in discourses about music. Unfortunately, there was an issue for this struggle between theoretical ideas and musical composition that always insisted in striking the debate: the performance. Thus, this is the aim of this short reflection: to bring performers as protagonists in the debate, listening to their experience in time and of time in performance. For this, the Augustinian link between Time and Memory is taken as a bottom line for the discussion. In understanding music as a kind of discourse, another important conceptual device will be claimed for this reflection, that is Rhetoric. The first part of this reflection recollects concepts from the Aristotelian and Augustinian approaches on time and discourse, and concludes with a review of the main definitions of time by composers in the twentieth century. The second part reviews three theoretical approaches of musical form as process. A third section comprises the embodiment of those discussions into practice in the Cello Sonata, written by Bernd Alois Zimmermann
- Imprenta:
- Source:
- Título: Performance Philosophy
- ISSN: 2057-7176
- Volume/Número/Paginação/Ano: v. 4, n. 2, p.490-509, 2019
- Este periódico é de acesso aberto
- Este artigo NÃO é de acesso aberto
-
ABNT
TEIXEIRA, William e FERRAZ, Sílvio. The performance of time: (or the time of musical performance). Performance Philosophy, v. 4, n. 2, p. 490-509, 2019Tradução . . Disponível em: https://doi.org/10.21476/pp.2019.42226. Acesso em: 09 fev. 2026. -
APA
Teixeira, W., & Ferraz, S. (2019). The performance of time: (or the time of musical performance). Performance Philosophy, 4( 2), 490-509. doi:10.21476/pp.2019.42226 -
NLM
Teixeira W, Ferraz S. The performance of time: (or the time of musical performance) [Internet]. Performance Philosophy. 2019 ; 4( 2): 490-509.[citado 2026 fev. 09 ] Available from: https://doi.org/10.21476/pp.2019.42226 -
Vancouver
Teixeira W, Ferraz S. The performance of time: (or the time of musical performance) [Internet]. Performance Philosophy. 2019 ; 4( 2): 490-509.[citado 2026 fev. 09 ] Available from: https://doi.org/10.21476/pp.2019.42226 - Kairos-ponto de ruptura
- Rewriting: tradition and heterogenesis
- Cinco invenções sobre diferença e repetição: composicoes e analises
- B.A. Zimmermann's Solo Cello Sonata, page 1, system 6: a thick description
- Ensaio sobre uma experiência de escrita para violoncelo
- Abordagens de estudo e performance da obra Responsório ao Vento para violoncelo solo de Silvio Ferraz
- Forma musical como um processo: do isomorfismo ao heteromorfismo
- Fazer música como quem escreve uma carta... [Prefácio]
- Música como ação
- Três experiências da forma momento: um modelo formal do agora
Informações sobre o DOI: 10.21476/pp.2019.42226 (Fonte: oaDOI API)
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