Filtros : "CURADORIA MUSEOLÓGICA" Removido: "Português" Limpar

Filtros



Limitar por data


  • Fonte: Contemporary museums: tension between universalist and communitarian approaches. Unidade: MAE

    Assuntos: CURADORIA MUSEOLÓGICA, DECOLONIALIDADE, INDÍGENAS

    Versão PublicadaComo citar
    A citação é gerada automaticamente e pode não estar totalmente de acordo com as normas
    • ABNT

      CURY, Marília Xavier. Indigenous and museum-based curation: in partnership with the Kaingang, Guarani Nhandewa and Terena peoples (São Paulo, Brazil). Contemporary museums: tension between universalist and communitarian approaches. Tradução . Londres: ISTE, 2023. . Disponível em: https://repositorio.usp.br/directbitstream/a05acc95-9f8a-4b8c-a074-0761591271bf/PMXC.276%20-%203163610.pdf. Acesso em: 22 out. 2025.
    • APA

      Cury, M. X. (2023). Indigenous and museum-based curation: in partnership with the Kaingang, Guarani Nhandewa and Terena peoples (São Paulo, Brazil). In Contemporary museums: tension between universalist and communitarian approaches. Londres: ISTE. Recuperado de https://repositorio.usp.br/directbitstream/a05acc95-9f8a-4b8c-a074-0761591271bf/PMXC.276%20-%203163610.pdf
    • NLM

      Cury MX. Indigenous and museum-based curation: in partnership with the Kaingang, Guarani Nhandewa and Terena peoples (São Paulo, Brazil) [Internet]. In: Contemporary museums: tension between universalist and communitarian approaches. Londres: ISTE; 2023. [citado 2025 out. 22 ] Available from: https://repositorio.usp.br/directbitstream/a05acc95-9f8a-4b8c-a074-0761591271bf/PMXC.276%20-%203163610.pdf
    • Vancouver

      Cury MX. Indigenous and museum-based curation: in partnership with the Kaingang, Guarani Nhandewa and Terena peoples (São Paulo, Brazil) [Internet]. In: Contemporary museums: tension between universalist and communitarian approaches. Londres: ISTE; 2023. [citado 2025 out. 22 ] Available from: https://repositorio.usp.br/directbitstream/a05acc95-9f8a-4b8c-a074-0761591271bf/PMXC.276%20-%203163610.pdf
  • Fonte: ICOFOM Study Series. Unidade: MAE

    Assuntos: EXPOSIÇÕES MUSEOLÓGICAS, CURADORIA MUSEOLÓGICA, DECOLONIALIDADE, INDÍGENAS

    Versão PublicadaAcesso à fonteAcesso à fonteDOIComo citar
    A citação é gerada automaticamente e pode não estar totalmente de acordo com as normas
    • ABNT

      BOMBONATO, Rebeca e CURY, Marília Xavier. Paths to indigenous self-representation: the round table of Santiago de Chile 50 years later. ICOFOM Study Series, v. 50, n. 1, p. 67-81, 2022Tradução . . Disponível em: https://doi.org/10.4000/iss.4137. Acesso em: 22 out. 2025.
    • APA

      Bombonato, R., & Cury, M. X. (2022). Paths to indigenous self-representation: the round table of Santiago de Chile 50 years later. ICOFOM Study Series, 50( 1), 67-81. doi:10.4000/iss.4137
    • NLM

      Bombonato R, Cury MX. Paths to indigenous self-representation: the round table of Santiago de Chile 50 years later [Internet]. ICOFOM Study Series. 2022 ; 50( 1): 67-81.[citado 2025 out. 22 ] Available from: https://doi.org/10.4000/iss.4137
    • Vancouver

      Bombonato R, Cury MX. Paths to indigenous self-representation: the round table of Santiago de Chile 50 years later [Internet]. ICOFOM Study Series. 2022 ; 50( 1): 67-81.[citado 2025 out. 22 ] Available from: https://doi.org/10.4000/iss.4137
  • Unidade: MAC

    Assuntos: CURADORIA MUSEOLÓGICA, ARTE MODERNA

    Versão PublicadaComo citar
    A citação é gerada automaticamente e pode não estar totalmente de acordo com as normas
    • ABNT

      MAGALHÃES, Ana Gonçalves. Novecento Brasiliano: Margherita Sarfatti, Ciccillo Matarazzo and the italian collection of MAC USP. Tradução . London: Bloomsbury Visual Arts, 2022. . Disponível em: https://repositorio.usp.br/directbitstream/cabd8856-30da-49da-b334-4aa86fb050c1/ana_magalhaes_fascism.pdf. Acesso em: 22 out. 2025.
    • APA

      Magalhães, A. G. (2022). Novecento Brasiliano: Margherita Sarfatti, Ciccillo Matarazzo and the italian collection of MAC USP. In . London: Bloomsbury Visual Arts. Recuperado de https://repositorio.usp.br/directbitstream/cabd8856-30da-49da-b334-4aa86fb050c1/ana_magalhaes_fascism.pdf
    • NLM

      Magalhães AG. Novecento Brasiliano: Margherita Sarfatti, Ciccillo Matarazzo and the italian collection of MAC USP [Internet]. London: Bloomsbury Visual Arts; 2022. [citado 2025 out. 22 ] Available from: https://repositorio.usp.br/directbitstream/cabd8856-30da-49da-b334-4aa86fb050c1/ana_magalhaes_fascism.pdf
    • Vancouver

      Magalhães AG. Novecento Brasiliano: Margherita Sarfatti, Ciccillo Matarazzo and the italian collection of MAC USP [Internet]. London: Bloomsbury Visual Arts; 2022. [citado 2025 out. 22 ] Available from: https://repositorio.usp.br/directbitstream/cabd8856-30da-49da-b334-4aa86fb050c1/ana_magalhaes_fascism.pdf
  • Fonte: BEST PRACTICE: a tool to improve museum education internationally. Unidade: MAE

    Assuntos: GRUPOS INDÍGENAS, EXPOSIÇÕES MUSEOLÓGICAS, CURADORIA MUSEOLÓGICA, DECOLONIALIDADE

    Versão PublicadaComo citar
    A citação é gerada automaticamente e pode não estar totalmente de acordo com as normas
    • ABNT

      SILVA, Maurício André da e CARNEIRO, Carla Gibertoni e CURY, Marília Xavier. I'm here, and always have been!. BEST PRACTICE: a tool to improve museum education internationally. Tradução . Leuven: Committee for Education and Cultural Action (CECA), 2021. v. 9. . Disponível em: https://repositorio.usp.br/directbitstream/9157751b-31ef-4336-a77a-2e338e90a98c/PMXC.256%20-%203090653.pdf. Acesso em: 22 out. 2025.
    • APA

      Silva, M. A. da, Carneiro, C. G., & Cury, M. X. (2021). I'm here, and always have been!. In BEST PRACTICE: a tool to improve museum education internationally (Vol. 9). Leuven: Committee for Education and Cultural Action (CECA). Recuperado de https://repositorio.usp.br/directbitstream/9157751b-31ef-4336-a77a-2e338e90a98c/PMXC.256%20-%203090653.pdf
    • NLM

      Silva MA da, Carneiro CG, Cury MX. I'm here, and always have been! [Internet]. In: BEST PRACTICE: a tool to improve museum education internationally. Leuven: Committee for Education and Cultural Action (CECA); 2021. [citado 2025 out. 22 ] Available from: https://repositorio.usp.br/directbitstream/9157751b-31ef-4336-a77a-2e338e90a98c/PMXC.256%20-%203090653.pdf
    • Vancouver

      Silva MA da, Carneiro CG, Cury MX. I'm here, and always have been! [Internet]. In: BEST PRACTICE: a tool to improve museum education internationally. Leuven: Committee for Education and Cultural Action (CECA); 2021. [citado 2025 out. 22 ] Available from: https://repositorio.usp.br/directbitstream/9157751b-31ef-4336-a77a-2e338e90a98c/PMXC.256%20-%203090653.pdf
  • Fonte: ICOFOM Study Series. Unidade: MAE

    Assuntos: CULTURA INDÍGENA, ESPIRITUALIDADE, MUSEOLOGIA, CURADORIA MUSEOLÓGICA

    Acesso à fonteComo citar
    A citação é gerada automaticamente e pode não estar totalmente de acordo com as normas
    • ABNT

      CURY, Marília Xavier. The sacred in museums, the museology of the sacred: the spirituality of indigenous people. ICOFOM Study Series, v. 47, 2019Tradução . . Disponível em: http://network.icom.museum/icofom/publications/icofom-study-series/. Acesso em: 22 out. 2025.
    • APA

      Cury, M. X. (2019). The sacred in museums, the museology of the sacred: the spirituality of indigenous people. ICOFOM Study Series, 47. Recuperado de http://network.icom.museum/icofom/publications/icofom-study-series/
    • NLM

      Cury MX. The sacred in museums, the museology of the sacred: the spirituality of indigenous people [Internet]. ICOFOM Study Series. 2019 ; 47[citado 2025 out. 22 ] Available from: http://network.icom.museum/icofom/publications/icofom-study-series/
    • Vancouver

      Cury MX. The sacred in museums, the museology of the sacred: the spirituality of indigenous people [Internet]. ICOFOM Study Series. 2019 ; 47[citado 2025 out. 22 ] Available from: http://network.icom.museum/icofom/publications/icofom-study-series/
  • Fonte: The Museum Review. Unidade: MAE

    Assuntos: CURADORIA MUSEOLÓGICA, PARTICIPAÇÃO, MUSEOLOGIA

    Acesso à fonteComo citar
    A citação é gerada automaticamente e pode não estar totalmente de acordo com as normas
    • ABNT

      SARRAF, Viviane Panelli e BRUNO, Maria Cristina Oliveira. Accessible curatorship: exhibition development based on relationships with different audiences. The Museum Review, v. 2, n. 1, 2017Tradução . . Disponível em: http://articles.themuseumreview.org/tmr_vol2no1_sarrafbruno. Acesso em: 22 out. 2025.
    • APA

      Sarraf, V. P., & Bruno, M. C. O. (2017). Accessible curatorship: exhibition development based on relationships with different audiences. The Museum Review, 2( 1). Recuperado de http://articles.themuseumreview.org/tmr_vol2no1_sarrafbruno
    • NLM

      Sarraf VP, Bruno MCO. Accessible curatorship: exhibition development based on relationships with different audiences [Internet]. The Museum Review. 2017 ; 2( 1):[citado 2025 out. 22 ] Available from: http://articles.themuseumreview.org/tmr_vol2no1_sarrafbruno
    • Vancouver

      Sarraf VP, Bruno MCO. Accessible curatorship: exhibition development based on relationships with different audiences [Internet]. The Museum Review. 2017 ; 2( 1):[citado 2025 out. 22 ] Available from: http://articles.themuseumreview.org/tmr_vol2no1_sarrafbruno
  • Fonte: Program. Nome do evento: Annual Meeting of American Association of Physical Anthopologists. Unidade: MAE

    Assuntos: OSSO E OSSOS (ANÁLISE;PRESERVAÇÃO;CONSERVAÇÃO), ESQUELETO (HUMANO;SÍTIO ARQUEOLÓGICO), ANTROPOLOGIA JURÍDICA, ANTROPOLOGIA FÍSICA, CURADORIA MUSEOLÓGICA

    Como citar
    A citação é gerada automaticamente e pode não estar totalmente de acordo com as normas
    • ABNT

      SANTOS, Verônica Wesolowski de Aguiar. The dance of bones: concerns and thoughts about curatorial care of skeletal serie. 2014, Anais.. [S.l.]: Museu de Arqueologia e Etnologia, Universidade de São Paulo, 2014. . Acesso em: 22 out. 2025.
    • APA

      Santos, V. W. de A. (2014). The dance of bones: concerns and thoughts about curatorial care of skeletal serie. In Program. Museu de Arqueologia e Etnologia, Universidade de São Paulo.
    • NLM

      Santos VW de A. The dance of bones: concerns and thoughts about curatorial care of skeletal serie. Program. 2014 ;[citado 2025 out. 22 ]
    • Vancouver

      Santos VW de A. The dance of bones: concerns and thoughts about curatorial care of skeletal serie. Program. 2014 ;[citado 2025 out. 22 ]
  • Fonte: Vibrant - Virtual Brazilian Anthropology. Unidade: MAE

    Assuntos: ACERVO MUSEOLÓGICO (ETNOLOGIA), CULTURA MATERIAL INDÍGENA (ASPECTOS ANTROPOLÓGICOS;PRESERVAÇÃO), ÍNDIOS, CURADORIA MUSEOLÓGICA

    Acesso à fonteAcesso à fonteDOIComo citar
    A citação é gerada automaticamente e pode não estar totalmente de acordo com as normas
    • ABNT

      SILVA, Fabíola Andréa e GORDON, Cesar. Anthropology in the Museum: reflections on the curatorship of the Xikrin Collection. Vibrant - Virtual Brazilian Anthropology, v. 10, n. 1, p. 425-468, 2013Tradução . . Disponível em: https://doi.org/10.1590/s1809-43412013000100018. Acesso em: 22 out. 2025.
    • APA

      Silva, F. A., & Gordon, C. (2013). Anthropology in the Museum: reflections on the curatorship of the Xikrin Collection. Vibrant - Virtual Brazilian Anthropology, 10( 1), 425-468. doi:10.1590/s1809-43412013000100018
    • NLM

      Silva FA, Gordon C. Anthropology in the Museum: reflections on the curatorship of the Xikrin Collection [Internet]. Vibrant - Virtual Brazilian Anthropology. 2013 ;10( 1): 425-468.[citado 2025 out. 22 ] Available from: https://doi.org/10.1590/s1809-43412013000100018
    • Vancouver

      Silva FA, Gordon C. Anthropology in the Museum: reflections on the curatorship of the Xikrin Collection [Internet]. Vibrant - Virtual Brazilian Anthropology. 2013 ;10( 1): 425-468.[citado 2025 out. 22 ] Available from: https://doi.org/10.1590/s1809-43412013000100018

Biblioteca Digital de Produção Intelectual da Universidade de São Paulo     2012 - 2025